Some of Greyson Perry's sketches for his tapestry:
I personally prefer his sketchbooks as it shows how he works out the tapestry imagery. I also like seeing his rough sketches as it shows his process into making them large scale and all the notes you get to see.
The Adoration of the Cage-Fighters, Grayson Perry, 2011
Expulsion From Number 8 Eden Close, Grayson Perry, 2012
The Annunciation of the Virgin Deal, Grayson Perry. 2012
One aspect that I really enjoy about Perry's tapestries is the amount of colour, when you see these in an exhibition the colour is prominent and that is something that I would like to bring to my work, whether it be minimal colour or lots of colour like this one. I would like all of the colours to work together really well, and not look as though they clash or let the image look worst than it was. I would really like to look into colour theory to help my paintings.
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