Wednesday, 19 March 2014

Photos for drawing project.

I went around campus at took images of the buildings I found captivating. I tried to take them in a way that I would find the shapes interesting to draw. An idea that has recently come up is layering the drawings. I want to do this to find out what interesting compositions may occur. 
"Untitled" 2014

Untitled" 2014


Untitled" 2014


Untitled" 2014


Untitled" 2014


Untitled" 2014


Untitled" 2014


Untitled" 2014


Untitled" 2014


Untitled" 2014


Untitled" 2014


Untitled" 2014


Untitled" 2014


Untitled" 2014


Untitled" 2014



Untitled" 2014


Untitled" 2014


Untitled" 2014



Laura Oldfield Ford - Drawing

Laura Oldfield Ford works in ballpoint pen ,acrylic paint and spray paint. Exploring the urban landscape.

"Focuses on areas haunted by an urban dispossessed , which regeneration seeks to concrete over; city wastelands where fortress-like old tower- blocks rise, with their Escher-like walkways and bleak 'recreational' open spaces."

I find this explanation of Ford's work to be useful as it is what her work is and it is clear. She publishes a blog called "Savage Messiah."
She was influenced by Raymond Pettibon, Linder Sterling and Jon Savage.

She uses locations such as East End of London, the new towns of Harlow , Hatifield and Stevenage.

"She describes her practise as centring around walks through London and the creation of "emotional maps". Oldfield Ford said "I regard my work as diaristic; the city can be read as a palimpsest , of layers of erasure and overwriting. The need to document the transient and ephemeral nature of the city is becoming increasingly urgent as the process of enclosure and privatisation continues apace."

"Psychogeographer whose photorealist urban snapshots in pen, acrylic and spray paint satirise the empty promises of capitalism." Alumni of Royal College of Art, Laura is mostly famous for her zine called "Savage Messiah" Her practice incorporates drawing , painting, photography, staging events, writing and self- publishing."








John Monks artist study for self directed.

John Monks creates his paintings on large canvases. He focuses on interiors and everyday objects depicted in a way that they challenge the viewer to look anew at the familiar and common places.


Monks creates his textures by pouring the paint, glazing the surface in layers and scraping with a palette knife. He weaves and layers surfaces to imbue his subjects with a  built in history, implying atmosphere ,life and change in the seemingly inanimate and immutable objects and scenes. 
                                               Scardon2013, oil on canvas, 237 x 244 cm


Because these paintings are life size it makes you feel as if you are in the space you are being presented with. He creates something intriguing out of something rather ordinary. I think this is because of the scale and the colour palette. There is an eery feeling to these paintings as it is a house but it is empty. No personal items, it appears to be abandoned.  It think this is an interesting approach as it appears very theatrical which is something I like , as it has a lot of atmosphere. 
Although they do appear very dark , the hints of colour keep it alive. This is something that I would like to do in my work. I would like to create paintings from my film of Baddesley Clinton making something more dramatic. Life sized paintings. 
Monks plays with light and shadow in his paintings which invites the viewer in to find the light source. 
He explores space.




Thursday, 6 March 2014

Still from film.


As I went around the house I wanted to capture the places that would not normally get attention. I wanted to view the house how the people would have viewed it. I took time in filming those areas. When I come to edit the film I want to demonstrate those areas more than others. I took notice in the personal items that made it special to the people. Such as slippers and uniforms.


There was an artist who lived here, and I wanted to capture that. But I felt as though it was too set up and I may not use this footage for the film as it is not the way I want the house to be represented.


I wanted to capture light in the scenes like Zarina Bhimji's film "Yellow patch". I looked for areas of light, the windows are an obvious source. But I think the atmosphere is very strange in this image.
























Sunday, 2 March 2014

Self directed

For my self directed I have made a couple of films at Baddesley Clinton house. However I am unsure of how to edit these videos so at the moment I have been making storyboards , drawings and paintings from the scenes of the film that are my favourite the most successful.

I am not sure if I will end up making a film for this project I might just create storyboards- drawings and paintings from them.